American Vogue

Emma Stone’s Vuitton-only shoot was billed as an artistic tribute — not a commercial deal. Yet it highlights the increasingly blurred lines between the brands that fund fashion magazines and the images they publish.

The New York Times’ chief fashion critic joins BoF founder and editor-in-chief Imran Amed to share her 2024′s Met Gala.

The rare Black editor worked behind the scenes to promote Black talent, but ultimately it was the symbolism of his achievement that meant the most for Black people, writes Jason Campbell.

The London-born photographer, whose signature sun-soaked style subverts the industry’s outdated beauty ideals, has made history as the first Black woman to shoot the cover of both American and British Vogue.

For independent brands operating outside America’s traditional fashion system, the upheaval of the past year has come with newfound support from traditional gatekeepers. But in a fast-changing fashion market, is this really the path to success?

For years, fashion’s top creative jobs have gone to a small pool of talent. The economic impact of the pandemic and demands for greater inclusivity may be changing that pattern.

This week, the stylist is American Vogue’s latest editorial addition, while Abloh joins the nonprofit's board of governors.

Plunging marketing budgets are disrupting the traditional value exchange between fashion brands and the magazines that cover them — with both sides wondering if the fear of missing out on editorial coverage can still drive hefty ad investments in an increasingly digital world.

For years, magazines disproportionately relied on white mega-celebrities to sell the most important issue of the year to advertisers. Now, they're responding to readers who want more diversity by featuring women of colour and independent brands. Will the shift pay off?

Colin McDowell journeys through the most famous ‘tell-all’ exposés of the intrigue, back biting and madness behind the glamorous veneer of the fashion world.